Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Sandro Botticelli 06

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
26870 Young kneeling mago Sandro Botticelli Young kneeling mago Giovanni di Cosimo the Elder? (mk57)
24994 Young kneeling Mago (mk36) Sandro Botticelli Young kneeling Mago (mk36) man in a short black tunic,Stanking on the right
24999 Young man in a Yellow mantle (mk36) Sandro Botticelli Young man in a Yellow mantle (mk36) Datail of the Adoration of the Magi
26879 Young man in a yellow mantle (self-portrait of Botticelli) Sandro Botticelli Young man in a yellow mantle (self-portrait of Botticelli) detail of the Adoration of the Magi (mk57)
25882 Young Man With a Medallion of Cosimo (mk45) Sandro Botticelli Young Man With a Medallion of Cosimo (mk45) c.1474 Oil on panel 57x44cm Florence,Galleria degli Uffizi

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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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